It was built by the widow of a firearms magnate. 8 Never The Same Bedroom For The Heiress Of The House. Here are 10 facts about the Winchester Mystery House, which many consider to be America’s first haunted house. The Winchester House, also known as Winchester Mystery House was ahead of its time, and Sarah Winchester claimed to be guided by 'good spirits' in building the house. (a quote from the movie “A Fistful of Dollars”)īroken by pain due to her dear ones’ loss, strongly influenced by her interest in spirits and the mediums she were usually neighbored, Sarah got convinced to build a sort of giant house-labyrinth where to trap the angry spirits and finally find peace. Sarah Winchesters bedroom, inside the Winchester Mystery House, where the filming of 'Winchester' is taking place, in San Jose, Ca., on Friday May. Shrouded in mystery and reportedly the site of eerie goings-on and ghostly visitations, the structure is said to be one of the most haunted sites in the world. The story goes that she was convinced the earthquake was caused by angry spirits, so she had them sealed away. According to the statement reported by ABC News, it was an attic room Winchester had boarded up after the 1906 earthquake. The Halloween tour lasts 3 hours and would. In 2016, the Winchester Mystery House announced it had found a new room. “When you want to kill a man, you must shoot for the heart and the Winchester is the best weapon.” You can locate the house at 525 S Winchester Boulevard, north San Jose, CA. Sarah thought that her husband and her only daughter untimely death (they died due to pneumonia and child marasmus, respectively) were due to anger accumulated by the spirits of the millions of people whose death was caused by the deadly Winchester guns – you think about the thousands of victims of the wearing Civil War. The Winchester mystery house has attracted people for decades thanks to its odd history and layout The home has 161 rooms, 10,000 windows, 2000 doors, 47 fireplaces. The boundless, labyrinthine and creepy Victorian dwelling Sarah Winchester – the only heiress of the millionaire estate coming from the guns’ sales of the Winchester brand with the same name – made build in the second half of the 1800s and made modify uninterruptedly for even 38 years until her death.
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A master of peace and quiet, John Bonham.” Besides the fact we’ve done it everywhere else, it brings to the front of the stage ah, a very famous percussionist. The acoustic set begins with a long word of explanation with Plant saying, “A long time ago ah, I guess in the days we used to play Winterland, Bill, where is he? We used to do an acoustic set, and we decided that as it’s been so long since we’d been here, like about that long, we should do an acoustic set this afternoon. Page forgets his cue in the transition and the band have to figure out where they are. So this is what they call daylight?”Ī twenty-five minute version of “No Quarter” is perhaps the first standout in the early part of the set but “Ten Years Gone” is extremely sloppy. It’s just one of the formalities of getting dressed in the morning. That would be one of the worst things to happen. We must have a short break while Jimmy puts a belt on his trousers. We’re gonna do a song from before the flood you might say. You know how it is, which is no excuse admittedly. He apologizes before “Over The Hills And Far Away,” saying, “If we seem to be just a little bit sluggish now we shall start to liven up cause we’re not even awake about forty five minutes. We should just waste no time at all, and give you something that we should have given you a while back, yeah?” Plant says before the first new song of the day “Nobody’s Fault But Mine.” I guess I must personally apologize for a two year delay, but it’s very nice to be here and to be back. “The Song Remains The Same” and “Sick Again” sound sloppy and sluggish. With Plant wearing the “Nurses Do It Better” shirt (do what though is never answered) and Page in the black dragon suit, they deliver a decidedly uneven performance. Part of the Day On The Green series of concerts organized by Bill Graham, Zeppelin were supported by Rick Derringer and Judas Priest for both days. It seems to be taped closer to the stage but is overloaded with distortion in the bass. There are small cuts at 5:59 in “No Quarter,” after “Bron-Yr-Aur Stomp,” and cuts after “Stairway To Heaven” and “Rock And Roll.” The second tape source on discs four and five was first pressed on Confusion (no label) many years ago. It is relatively close to the stage and reasonably clear and enjoyable although the taper seems to be picking up the music from the speakers rather than the stage. The first tape is contained on the first three CDs and has been pressed before on It’s Been Great (Image Quality IQ-010/11/12). The penultimate gig on July 23rd exists in two good to very good audience recordings collected together for the first time by TCOLZ on A Quiet Before The Storm. And with the tragedy that occurred to Plant’s family after the second Oakland date, these turned out to be their final US live appearance. While the Seattle show was a bit flat and the Tempe show a disaster, these two represent a significant improvement. Led Zeppelin’s Oakland concerts occur in the first week of the third part of their massive tour in the spring of summer 1977. The Day On The Green, Alameda County Coliseum, Oakland, CA – July 23rd, 1977ĭisc 1 (61:14): The Song Remains The Same, The Rover Intro/Sick Again, Nobody’s Fault But Mine, Over The Hills And Far Away, Since I’ve Been Loving You, No Quarterĭisc 2 (60:20): Ten Years Gone, The Battle Of Evermore, Going To California, Black Country Woman/Bron-Yr-Aur Stomp, Trampled Underfoot, White Summer/Black Mountain Side, Kashmirĭisc 3 (45:56): Guitar Solo, Achilles Last Stand, Stairway To Heaven, Whole Lotta Love, Rock And Roll, Black Dogĭisc 4 (64:56): The Song Remains The Same, The Rover Intro/Sick Again, Nobody’s Fault But Mine, Over The Hills And Far Away, Since I’ve Been Loving You, No Quarter, Ten Years Gone, The Battle Of Evermoreĭisc 5 (70:59): Going To California, Black Country Woman/Bron-Yr-Aur Stomp, Trampled Underfoot, White Summer/Black Mountain Side, Kashmir, Achilles Last Stand, Stairway To Heaven, Whole Lotta Love, Rock And Roll, Black Dog A Quiet Before The Storm: The Day On The Green Tapes Vol. Sexual harassment is usually directed at an individual, but it's not always the case.
** Crystal size is limited to a few milimeters It's the best for the best.*from literature "The Elements" by John Emsley So go ahead, give your Mac the software it really deserves: honest, genuine, 100% native. You won't see this attention to detail in other programs - certainly not the "fake" software that clutters the internet - but beauty is in the details, and having us focus on making a really great Mac experience helps you justify your choice of the Mac platform. Haptic Feedback (feel your reflexions as you measure them).
The files however remain the same, so FCPX, QT, VLC, DAV GUI etc. The behavior is actually understandable, but since resolve is not doing that same operation in the GUI you've got dissimilar renderings. The reason QT does this is that it reads from the file header that it is in the R709 color space, then checks your system color profile (probably sRGB) and performs a Correction to display what QT thinks is proper. Nevertheless, you're not the first one having those issues, the pictures you've shown clearly indicate that QT is crushing stuff, so as I mentioned before, I would blame QT. Hum, I'm surprised you got the same problem with ProRes 4444, this one should behave differently. Attachments TESTS copy.jpg (967.39 KiB) Viewed 3761 times Here is the same clip which exported from Resolve and how it looks compared to the others.Īs you can see VLC/Resolve versions are more saturated and with milky blacks compared to FCPX/Quicktime version. Thank you for the posts which explain the "quicktime gamma shift bug" but Im not sure if it is that in my situation because as I said earlier the fcpx timeline and quicktime player match perfectly. The problem is that I get different colours while Im exporting from Resolve which only the VLC player can show correct this time. So mainly when Im using FPCX + quicktime everything is ok. Also the same file if I drop it in the FCPX timeline, it will have the same colours just when I open it with Quicktime. The same file which has been exported from Resolve, has different colours when I will open it with Quicktime player and the same colours when I will open it this time with VLC. I have tried Prores HQ, LT, 4444, h264 etc.The issue is not hiding behind a codec this time I think. Second which one of these 2 is the right one to trust for my colour grading? So final I have 2 questions to help me understand a few things.įirst is there any gamma difference between fcpx/quicktime and resolve/vlc to explain the difference between these 2? So the next step was to think why I have this difference between quicktime player and VLC.The next step was to take that exported clip and put it into fcpx timeline and compare it with quicktime player.OMG this time fcpx and quicktime was an absolute match! just like with Resolve and VLC. So first of all I was having issues when I was exporting a clip from Resolve regarding to brightness.That translates that every clip after export was much brighter than what I was seeing on Resolve.After a research I found that I had to declick the choice "Use Mac display colour profile for viewers" from colour management tab.After that I could see same exposure but slight different colours when I was watching my exported clip to quicktime player.So I tried VLC for a change and I figured out that was exact the same as what I was seeing at Resolve.Phew that made me feel much better. Monitor: Dell U2413 calibrated with X-rite i1Display Pro and i1Profiler at SRGB and 120cd/m Luminance. I have an issue regarding export from FCPX and DaVinci Resolve and how these files behave with players. With 1Password X, the package feels a lot more complete, and negates the need to juggle various different apps. With this, users will find themselves needing to go back to the desktop app less and less, which is great news considering it was one of our main pain points when we originally reviewed 1Password. You can try it out for yourself right now with a free 30-day trial, or carry on with our review to find out more reasons why you really should be taking that free trial.ġPassword X is the package's browser based plugin that offers a full suite of options, outside of the standard password management options. 1Password isn’t without the odd drawback, but it’s easily one of the best password managers we’ve tried. After testing this password manager, we’re happy to say its reputation is well deserved. Developed by AgileBits, it began life as a Mac program but has developed into a popular password manager that’s now available across Windows, Mac, iOS, and Android. Overall, 1Password is a fantastic password manager that’s blissfully simple to use. 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In a recent interview, Hayek Pinault revealed that she was "nearly killed" during a dance scene with Tatum in the upcoming film. The film, which will conclude the Magic Mike trilogy, follows Mike as he travels with Maxandra to London and eventually leads a new team of dancers. She is also set to star in Magic Mike's Last Dance alongside Channing Tatum's Mike Lane as Maxandra Mendoza, a wealthy London-based socialite. One of Hayek Pinault's most recent roles was as Kitty Softpaws in Universal Pictures' Puss In Boots: The Last Wish. RELATED: Adam Sandler 'Probably Won't' Ever Be in a Major Movie Franchise From Dusk Till Dawn Collection Salma Hayek (Actor), Danny Trejo (Actor) Rated: R Format: DVD 4.6 6,283 ratings 1100 Blu-ray 15.19 DVD 11.00 Multi-Format 26.10 VHS Tape from 12.94 DVD 6.00 6.00 2.99 DVD ApDouble Feature ed. Grown Ups also starred Chris Rock, David Spade and Rob Schneider. In it, she starred as Roxanne Chase-Feder, a fashion designer and the wife of Sandler's Lenny Feder. She followed it with a brief role as a vampire queen in Rodriguezs cult horror film From Dusk till Dawn (1996), in which she performed an erotic table-top snake dance. Grown Ups, meanwhile, showed Hayek Pinault's capabilities in a comedic role. It was a really small part but to my surprise, people really remember that moment."įrom Dusk Till Dawn, written by Tarantino, is considered a cult horror film and was one of Hayek Pinault's first acting roles in the United States. "I was feeling insecure just wanted to get through it. From Dusk Till Dawn (1996) Salma Hayek in From Dusk Till Dawn (1996) People Salma Hayek. "They just kind of threw me on the stage with the snake, put the music on and said, 'Hey, dance!'" she said. Surrounded by professional strippers, Hayek recalls that she felt out of place during the scene. Hayek Pinault's brief role in From Dusk Till Dawn, which also starred George Clooney, Harvey Keitel and Quentin Tarantino, saw her as a vampire queen and a dancer at the Titty Twister bar. I couldn’t land a role until I met Adam Sandler, who put me in a comedy, but I was in my forties! They said, 'You’re sexy, so you’re not allowed to have a sense of humor,'" Not only are you not allowed to be smart but you were not allowed to be funny in the '90s." Salma Hayek Pinault's From Dusk Til Dawn Role "My entire life I wanted to do comedy and people wouldn’t give me comedies. "I was typecast for a long time," she said. Hayek played exotic dancer Santanico Pandemonium, aka The Vampire Queen.RELATED: Magic Mike's Last Dance Trailer Has Channing Tatum Swooning Salma Hayek The two criminals go on the run with hostages (played by Harvey Keitel and Juliette Lewis) before seeking refuge at a saloon frequented by vampires. (Dimension Films)įrom Dusk Till Dawn also starred George Clooney as Tarantino's on-screen brother. READ MORE: All of Quentin Tarantino's movies ranked George Clooney and Quentin Tarantino star in From Dusk Till Dawn. "And my whole thing that I brainwashed myself into doing this was about dancing with my own inner power." "In some culture, the snake represented - I started doing research - your inner power," she explained. In order to overcome her phobia, Hayek then began to do her research and discovered information that helped her carry out the dance sequence. Salma Hayek attends the 77th Annual Golden Globe Awards at The Beverly Hilton Hotel on Januin Beverly Hills, California. Whatever the format of the existing sounds that have been played (with 2, 3, 4 you can obtain low latency but the Latency can easily be in the region ofģ00ms! The advantage of this move is that it will always work and always play a sound, The modes are as follows: 0 : Latency not importantįor when it really doesn’t matter. PsychoPy ® uses Mode 3 in as a default, assuming that you want low latency and youĭon’t care if other applications can’t play sound at the same time (don’t listen Referred to in PsychToolBox as the reqlatencyclass, and can be set in When using the PTB backend you get the option to choose the Latency Mode, Next refresh but set the latency mode to be 0 (which has a lag of around 300 ms) if you request that the sound starts on the The precision of that timing is still dependent on the PTB Audio Latency ModesĪnd can obviously not work if the delay before the requested time is not longĮnough for the requested mode (e.g. play ( when = nextFlip ) # sync with screen refresh getFutureFlipTime ( clock = 'ptb' ) mySound. Import psychtoolbox as ptb from psychopy import sound, visual mySound = sound. Using psychtoolbox.GetSecs() if you want to play sound at an arbitrary time The whenĪrgument needs to be in the PsychToolBox clock timebase which can be accessed by To do this you can call play() with an argument called when. Time taken to load the sound (it will preload ready) and also the time taken By doing this PTB can actually take into account both the The most precise way to use the PTB audio backend is to preschedule the Hz tone played at 48 kHz with PTB engine. 26 Sub-ms audio timing with standard audio on Win10. Yourself for your kit, but here is an example of a standard Win10 box usingįig. Many things about the local operating system and hardware. Of course, capable doesn’t mean it’s happening in your case. With this method the PTB engine is capable of sub-ms precision and even The buffers ready to go and will also account for the known latencies in theĬard. Sent or when the screen is due to flip) and the PTB engine will then prepare all Sound to occur at a particular point in time (e.g. That’s pretty good compared to the other options that have a lag ofīUT, on top of that, PTB allows you to preschedule your Play in “immediate” mode with typically in the region of 5ms lag and maybe 1ms Result, with the most aggressive low-latency settings you can get a sound to Get the best out of the drivers available on each operating system and, as a On-the-fly mixing and filtering capabilities). PTB brings a number of advantages in terms of latency.īeen designed specifically with low-latency playback in mind (rather than, say, The class that gets imported will then be an alias of one of the Have slightly different attributes, as below. “backend” you use (like pyo or sounddevice) and these different backends can Sounds are actually generated by a variety of classes, depending on which Use it if latencies for your audio don’t matter. The pygame backend is the oldest and should work without errors, but has the It’s newer than pyo and so more prone to bugs and we haven’t yetĪdded microphone support to record your participants. Well because it operates from the same computer core as the main experimentĬode). This might be less so in cases where you have complex rendering being done as The sounddevice library has performance that appears to be good (although Studies then this could be the one for you. Often had issues (at least on MacOS) with crashes and freezing of experiments, The pyo library is, in theory, the highest performer, but in practice it has The PTB library has by far the lowest latencies and is strongly recommended Based on testing doneīy the PsychoPy ® team and reports from users, their performance can be summarized Audio playbackīackends vary in performance due to all sorts of factors. This preference can be set on a per-experiment basis by importing preferences,Īnd setting the audioLib option to use. sound.Sound() will then refer to one of the following backends: YouĬan select which will be used via the audioLib Supports a choice of sound engines: PTB, pyo, sounddevice or pygame. Audio playback is handled by the Sound class. The parable tells of the universal and humanistic struggles between the traditional familial bond and personal spiritual pursuit, the eternal love as well as the conflict between the father and daughter, while touching on the ubiquitous ideals of grace, mercy, and compassion. This small anecdote from The Precious Scroll of Incense Mountain or Xiangshan Baojuan (香山寶卷), with its earliest script dated to 1103, is one of the innumerable tales recounting the origin of Kuan Yin. Miaoshan, now as the Thousand Armed Kuan Yin, turned her back to Heaven and took a vow of never leaving the Earth until all suffering has ended. Miaoshan could feel the gravity of a thousand worlds: each cry carrying countless lifetimes of sorrow. She looked around and saw a world filled with unbounded misery. Miaoshan had obtained her enlightenment and escaped Samsara.Īs she was about to enter the Pure Land Paradise, the Buddhism Heavenly Realm, Miaoshan heard a cry of anguish reverberating up from the world below. As tears were exchanged between father and daughter, Miaoshan transformed into a beautiful woman, robed in white, with one thousand arms and one thousand eyes. The king fell before the maimed body of his daughter with penitence and begged for forgiveness. And to the king’s surprise, his savior was none other than Miaoshan, his daughter who had been miraculously saved from execution and was living a pious life atop the sacred mountain. Wanting to give thanks to his savior, the king made a pilgrimage to Incense Mountain. The bizarre prescription was concocted its effectiveness was instantaneous, and the king was promptly healed. But a sagacious monk eventually appeared to the king he apprised that the peculiar infirmity could only be mended by drinking an elixir made from the arm and eye of ‘one without anger.' The monk also informed the king of a hermit residing on Incense Mountain who was willing to make all the necessary donations.Ĭhinese porcelain statue depicting Kuan Yin as a beautiful young woman in white robe, with an Amitabha headdress and fiery halo, standing on a floating lotus flower No physician in the kingdom or medicine from far off land could alleviate his malady. Not long after, the king fell ill with a strange ailment. Unable to convince Miaoshan and further exasperated by her disobedience, King Miaozhuang eventually sent his contumacious daughter to be executed. She believed that it was her life destiny to cultivate her spiritual essence and escape Samsara, the endless cycle of rebirth and suffering. But unlike her sisters, Miaoshan was pure and, in her own way, stubborn. Without a male heir to continue the kingdom’s legacy, Miaoshan and her two sisters were forced into odious marriages by their father, king Miaozhuang. Miaoshan was her name: daughter of Miaozhuang Princess of Zinglin, ‘The Raised Forest Kingdom’ in the far west. |
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